After a manager in Japan’s premier media company ends up dead in front of company headquarters, Detective Hiroshi enters the high-pressure, hard-driving world of Tokyo’s monolithic corporations to find the killer. Hiroshi scours the off-record spending, lavish entertaining and unspoken agreements that keep Japan, Inc. running with brutal efficiency through “zangyo” or unpaid overtime. Working overtime himself, Hiroshi probes the dark heart of Japanese business, a place he’s tried to avoid all his life.
Targeted Age Group:: 18 and over
What Inspired You to Write Your Book?
As an American living in Tokyo, I’m stunned by how much work takes over people’s lives. “Zangyo” means overtime in Japanese, and it’s a commonly used word. As a teacher, I keep in touch with my students after they graduate and start working. They tell me how they are compelled to work long hours, up to the point they quit. That’s the background, but the specific inspiration was a tragic story of a young girl who killed herself after working over 100 hours of overtime, being criticized by her boss, and losing hope. Mysteries and detective stories are often editorials, skewed and darkly ironic ones, but with an opinion in there.
How Did You Come up With Your Characters?
These characters are partially based on my students, but also on other people that I work with. The detectives are the same as in the entire Detective Hiroshi series. They have evolved through the series, but the lead detective, Hiroshi, lived in the US for many years, so he sees Japan partially with a foreign point of view. Actually, I think I don’t “come up with” characters, but rather they emerge from the story situation and develop as the story and conflicts develop. I wanted a character who had a choice, but didn’t take it, and there are a lot of characters like that!
Shigeru Onizuka woke up shivering, naked, on the roof of his company building. His head spun from alcohol as he pulled himself up on the rooftop lunch table. He tottered but couldn’t walk. His feet were tied. He hopped, once, twice, toppled onto the bench and slapped his arms and chest to warm himself, his head swollen and throbbing. His body shrank from the cold and shivered harder as he tried to piece together how he’d gotten there.
He’d had whiskey at the bar and more later, and almost nothing to eat. He must have blacked out. That had happened before—too much booze to remember how he got home—but he’d never woken up naked, tied up, and confused on the roof of the company where he’d spent his entire career.
And he had never heard voices before. They echoed inside his head.
On the far side of the roof, the smoking area shimmered like a mirage. On one of the trees that ringed the area in tall planters, he saw a light-gray jinbei wraparound shirt and tie-up shorts, hanging from the branches. He staggered toward the meager summer clothes, remembering—vaguely—having pulled them on earlier. A pair of tatami sandals was set below.
Squinting against the spotlights that outlined the roof, he tried to see if he was alone. The wind roared past his ear, speaking its own language. The spotlights cast stripes of dark and light across the roof. Beyond, in all directions, the lights of Tokyo shimmered and danced with each doddering step. The imposing buildings of Marunouchi’s business district—the center of Japan’s economic engine—swayed and blurred. He had to sober up.
Onizuka untied his ankles, his fingers stiff and sore from the cold. He stood, placing one bare foot on cold concrete after the next, and moved toward his jinbei, something at least to cover himself with. He shivered and slapped his skin again, almost there.
He snatched the jinbei, bashing his shin on the tree planter. He pulled on the shirt and tried to tie the flap, but after a couple of tries, he left it. He raised his leg to get into the shorts and tumbled over. He got up, but had to stoop down to yank them on. He slipped his feet into the soft tatami sandals, relieving the pain from the icy concrete.
The shirt and shorts did little against the harsh wind blowing crosswise twenty stories high. The jinbei was summer-wear and his limbs and his chest wouldn’t stop shaking.
Where was his cellphone, money clip, and watch? He rubbed his wrists, raw from rope burns, remembering vaguely taking off the watch and putting it in the pocket of his wool pants. And where was his tailored suit and wool overcoat? He could feel his packet of Sobranie cigarettes in one pocket of the jinbei, a few still left.
He snatched at shards of memory, but nothing fitted into place. How did he get through the lobby? Did he come in through the parking lot? The service elevator? He remembered voices, women’s voices, mocking, accusing, commanding. Where did they go?
A woman’s voice whispered to him. “That way. Toward the lights.”
Onizuka steadied himself with a tree branch as he peered around the glass divider into the smoking area.
“That way,” the voice said again, clear and steady, a man’s voice now, far away, muffled.
He spun towards the voice, and looked around the smoking area, but along the trees and inside the partitioned space there was nothing and no one, except himself.
He patted the pockets of the jinbei for his lighter, an expensive present. Had he been robbed? Holding the wall, he reached for one of the communal lighters in the smoking lounge. He held himself up on the shelf where people rested their laptops to work through cigarette breaks.
“Towards the lights. Over there,” the man’s voice whispered.
Onizuka spun toward the voice, but there was nothing there. He stood and turned and turned again, stopping in the direction of the national gardens and palace moat opposite to where the business district hummed, still lit up in late-night mode. The expanse of the palace grounds was dark.
It was his voice, though. They’d competed since the first day at the company, gambling on the other’s tripping up and falling behind. But it had never happened—until now.
He twisted in the other direction and could see, dimly, hazily, lights on in buildings across the street. People must still be working. He twisted his wrist, feeling for his watch. He had no idea what time it could be, what day. It must be Monday morning. His appointment had been on Sunday, her busiest day.
“Toward the lights.” He heard the voice as clear and sharp as the wind. It was a woman’s voice now. The man’s voice had changed somehow, as if coming from inside his own head. The woman’s voice was there, too.
“Who’s there?” Onizuka tried to summon his commanding tone as a bucho section chief in the top media company in Japan. He was used to giving orders, not receiving them. He called out again, but his voice cracked and slurred, weaker than wind, softer than the voices in his head.
He pulled out one of his Sobranie cigarettes and fumbled with the cheap, shared lighter. He flicked and flicked until it caught the black paper. The smoke cleared his head for a moment before confusion swallowed him again. He pulled the thin shirt around himself and scanned the roof for the voice.
He stared at the picnic tables, used mostly by the OL office ladies and new recruits who didn’t bother lunching with managers, their promotion already stymied. He’d had those installed, and he sometimes ordered pizza for everyone when a contract was completed. He hated pizza.
“You know what you have to do, so do it.” The voice came again, strong and demanding. He turned toward the lights and the new fence.
He realized who it was.
It was her.
He’d heard her voice for a year afterwards, but gradually it had faded and he could hear himself think again. Now, she was back.
From behind, a shove sent him tumbling onto his knees. He swayed on all fours for a minute. His body felt hollowed out and depleted. Hoisting himself upright, he held out his arms for balance as he clawed his feet back into the sandals.
“Go on. From the same spot,” the voice insisted. Another shove sent him stumbling forward.
He wobbled away from the picnic tables and the smokers’ area toward the spotlights along the Marunouchi side. A huge gash, which looked like an upside-down V, was cut into the protective fence that lined the roof. He didn’t remember that V in the fence.
“You know the place. Right between those lights. Straight ahead.”
“What place?” Onizuka croaked, accepting the voice.
“There. Straight ahead. The same place.”
“You know where. You know why.”
The voice seemed closer, inside and outside his head, but he couldn’t see anyone.
He turned to look at the cut-open V. It was where she had stood, just before. He’d been there many times, stood there smoking and thinking. He would look over the edge of the roof and down at the wide sidewalks of the Marunouchi district twenty floors below, empty now of traffic and pedestrians.
He’d lost another bet, the biggest one. He didn’t need a voice to tell him that. He had a debt to pay, and he always paid his debts. That was how he’d kept winning. Standing around smoking only postponed payment.
“Keep going. You know what to do.” The voice was carried by the wind, mixing with it.
He might as well go. He heard more voices, a chorus now, his wrestling coach, that neighborhood policeman, his first boss at Senden, the guy he got betting tips from, all of them gone. The voices felt heavy and solid, joined together like arms pushing him, dragging him to the edge. He could no more resist the force of the voices than he could resist the force of gravity.
He staggered forward, all of them, all of it, behind him now.
He was so tired of the junior employees, the expenses, the bank transfers. He was tired of breaking in graduates from name schools, of drinking with contacts, golfing on Sundays. He was tired of the hassles with Human Resources, the endless meetings, reports, action plans, rule changes, mission statements, committees, presentations, the last train home.
He had never had a full night’s sleep since he started work. He was emptied out daily and never refilled. Emi helped him live with it, distracted him from it. Gambling gave him the thrill he remembered from his youth. But all else, everyone else, was a drain.
He was tired of the grudging promotions, the observance of hierarchy, the constant niggling demand for loyalty. The company would suffer in foreign places by losing the roots of its Japanese-ness. He helped them expand overseas, but he should have, and could have, buried them with what he knew.
Taking the position overseas wasn’t what he wanted. It was what he was ordered to do. That was his life, following orders, or guessing what the orders were and following through without even hearing them spoken.
He walked toward the fence and looked twenty floors down. The shape of the fence wire cut the city into small diamond sections. He patted his pockets for his cigarettes. He wanted one more.
He thought of his wife and his sons, but they had never been close. They were casualties of his success. His oldest son was at a good company, and his wife had money from her family, and all the winnings he’d left her. His youngest son had shaken free.
He would miss Emi, though, and her ministrations. It was only with her that he’d felt anything at all. Even anticipating the result of a big bet was never as good. He could hear her, feel her around him, inside him, next to him, her heat warming him even on the roof.
He flick-flick-flicked the cheap plastic lighter and lit a last cigarette. He tried to stop shivering by wrapping his fingers through the fence. The wind felt colder at the edge and the lights brighter. He squinted as the strong light floated up like water from below and rose and fell into the distant sprawl and swell of the city. The fence was like one around a swimming pool, keeping him from entering.
He moved down the fence hand by hand until he came to the huge V, the only way to get to the light-water, to the city. The V in the fence was big enough to get through. He took another drag on his cigarette, held it up against the panoramic view below, almost done.
He stepped out of the sandals and positioned them neatly together, facing the edge, in the same place she had. His body shivered uncontrollably. His feet felt numb, making it hard to walk. He would swim instead.
He grabbed the fence with both hands and ducked through the cut-open V. He could see better there, the whole city before him.
It was easier than he thought.
He heard a shout behind him, but he tuned it out. He didn’t need to pretend to listen anymore.
The voices faded as he stepped onto the outer ledge, balancing himself with a hand on the fence, listening to the wind.
He took a last puff and tossed the half-finished cigarette aside.
Tokyo flowed in all directions like an ocean of light. He was ready to dive in, to return. He’d swim over to Tokyo Station, its squat, quaint brick front waiting for him. He’d been through there twice a day since college, and loved the fierce power of the place. He’d swim to that energy, tap it, and from there, decide where to swim next.
He took a step forward, felt the edge with his toes, and breathed in deeply. He heard the fence rattling behind him and voices shouting, babbling. He straightened his jinbei, sober enough at last to tie a knot to hold the shirt in place. Then he cleared his throat and dove into the light.
Michael Pronko is a Tokyo-based writer of murder, memoir and music. He’s published four novels in the Detective Hiroshi series, and three books of short writings about Tokyo life. Michael grew up in Kansas City, studied philosophy at Brown University, and then traveled for years, teaching in Beijing, finishing an MA in Education and another in Comp Lit before completing his PhD on film adaptations of Charles Dickens. As a professor of American Literature at Meiji Gakuin University, he teaches seminars on contemporary novels, film, and culture. Michael runs the website, Jazz in Japan, which covers the jazz scene in Tokyo. During his 20-plus years in Japan, he has written about Japanese culture, art, society and politics for Newsweek Japan, The Japan Times, and Artscape Japan. He has appeared on NHK TV and Nippon Television.
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